the family Legacy.

old europe

— meets —

Modern heirloom

With a degree in Art History and a love of genealogy,
I was delighted to discover that my family
had long created art through knots and pulls
meant to last beyond a lifetime.

    Resurrecting this lost art is fulfilling and Beautiful.
It is time consuming and contemplative work.  
How meaningful it is to craft heirlooms for children,
brides and families to hand down from generation to generation.

My childhood was quietly nurtured by England and its subtleties.

At the tender age of three, my parents took me overseas to visit our family. And what's more, the English photos, furniture and miscellaneous antiques of my great grandmother, Lizzie Frost, were in every room and on every wall of my life.  

Lizzie was a European embroiderer. 
When times were hard, she took to her needle and put all her joys and all her cares
deep into the fabric of her intricate pieces.

Subsequent generations took care never to throw anything away-
and Lizzie’s small tapestries, lace tablecloths,  embroidered memorials
 and her needlework notions were eventually elevated to a level of worship by my mother.
The piece below is not my embroidery, but hers;
and it hangs in my studio to remind me of how true stitches stand the test of time.  


And now we come to the present.

During a period of antique fair bingeing, it became clear I couldn’t pull myself away from antique linens and heirloom embroidery. I studied my collection and marveled at the delicate luxury of what I now know to be the Lyonnaise style of handwork. Items with this style of  embellishment were all the rage in the last half of the 19th century and well into the 20th.  Sadly, the style and industry were replaced by machine.  The only other place to get this work now is in third world countries.

The more pieces I bought, the more I realized I had absorbed the family tastes & legacies.  Embracing it felt so honest.
And as I began to research my genealogy, I also learned that a census from 1851 lists my great grandfather as a tailor and his wife as a spinner. So not only is the needle in my legacy, so is the linen.

Needlework came naturally to me and eventually became my leisure. And as my skills grew closer to the level that my grandmother attained, others took notice. And now, I proudly accept her legacy and stitch away; putting my own story into the fabric of others' lives.

I now take on select commissions from clients who love and appreciate this style of work.
It thrills me to weave my family legacy into the lives of clients;
because I know it will live past all of us
and remind the generations to come
of the value found in family.